Cashill does offer up a protagonist. He calls it the samizdat, which is an homage to the intrepid, honest, independent journalists in the old Soviet Union who risked life and limb to reveal the truths in that decrepit and oppressive evil empire. Cashill’s American samizdat is that class of truth-seeking, typically conservative-leaning journalists who, unlike their peers in the mainstream media, are not leftist political activists seeking to hide the truth in furtherance of the progressive cause.
America’s samizdat have been indispensable in exposing the fakery of phony narratives the leftist media have sought to perpetuate, like the “Hands up, don’t shoot!” mythology surrounding the death of strong-arm robber and would-be cop-killer Michael Brown in Ferguson, Missouri, or the utterly bogus Trayvon Martin-as-innocent-victim hoax pulled off through the use of a judicial impostor named Rachel Jeantel.
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